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Geloy Concepcion
Are you secretly haunted by all the ‘things you wanted to say but never did’? Then Filipino artist Geloy Concepcion offers you a unique...
Tom Van Avermaet
Jan 16, 2023
SiIIDA
If anything good came out of the ongoing pandemic, it’s that it drove talents like SiIIDA to seek refuge in digital art. When the...
Tom Van Avermaet
Jan 10, 2023
"Modern Life is Rubbish" (2022) by Ju Yong Lee
Is our society doomed to evolve into consumption addicted, massively overpopulated megalopolises and will we all be driven mad in the...
Tom Van Avermaet
Dec 12, 2022
"Mother" (2022) by Billelis
Does the religious iconography that inspired Western masters like Rubens and Vélazquez still influence modern digital artists today? When...
Tom Van Avermaet
Dec 4, 2022
"Untitled" (2022) by Lea Brisell
"If a body at times can be a work of art, does the same apply for its separate parts and secretions? Within the surreal imagination of...
Tom Van Avermaet
Nov 28, 2022
"Untitled" (2022) by Summer Grace Wagner
How does an artist create their own urban mythology? The answer might be found when looking through the viewfinder of visual storyteller...
Tom Van Avermaet
Nov 20, 2022
"Inner Fear" (2022) by Overfiend
As we leave the holy day of fabricated scares behind, are we ready to face the chance that the real terror might lie within us? 3D artist...
Tom Van Avermaet
Nov 14, 2022
"Vertebrata" (2011) by Marc De La Cunha Lopes
If life were to go extinct on our planet, what would the aftermath look like? One can image that the beautifully bizarre photo series...
Tom Van Avermaet
Oct 31, 2022
"Untitled" (2021) by Newsha Tavakolian
Can art help fuel a revolution? From Picasso to Delacroix, artists throughout history have, in times of great turmoil, used their talents...
Tom Van Avermaet
Oct 23, 2022
"The unbearable lightness of being" by Xeronimo
With the rapid evolution of AI driven art, are we witnessing the blossoming of a whole new art movement? When stumbling on the work of...
Tom Van Avermaet
Oct 16, 2022
"And one day, we met" by Esquive Studio
What novel ways can digital artists explore the human mystery called ‘love’? For photoshop connoisseur Antoine Paikert, also known under...
Tom Van Avermaet
Oct 2, 2022
"Animated Punch" (2017) by Esteban Diacono
Is one of the reasons why we as a society are so fascinated by violence that it’s essentially absurd? This 3D experimentation by...
Tom Van Avermaet
Sep 11, 2022
"Flower Mountains" (2022) by Amita Sevellaraja
If you could shape your own reality, what would its landscapes look like? The work of Australian 3D artist Mae (Eniosta) invites us to...
Tom Van Avermaet
Sep 4, 2022
"Reflections" by Amita Sevellaraja
Does art have the power to make us feel like we belong? This was the question I pondered when first experiencing the beautiful...
Tom Van Avermaet
Aug 28, 2022
"Infinite Flux" (2022) by Lookattheparkinglot
Is an inherent paradox of the digital world that the more easily we connect to others, the more isolated we might feel? Infinite Flux,...
Tom Van Avermaet
Aug 21, 2022
"JPEG Priority" by E.T. Artist
If life were a videogame, would it be pixelated? In the world of Florida based E.T. Artist the answer would be a resounding yes. As...
Tom Van Avermaet
Aug 14, 2022
"Everything is fine" (2021) by Everlstng
Sometimes you discover an artwork that perfectly externalises a very internal and personal struggle. Everything is fine by Toronto based...
Tom Van Avermaet
Jul 31, 2022
"The immortality of dreams" (2022) by Samantha Cavet
As a lover of both art forms, I always find it a thing of particular beauty when a photographer can blur the lines between their work and...
Tom Van Avermaet
Jul 24, 2022
"Lattice of Amber" (2022) by Untitled, xyz
Will the future of digital worlds see an architecture that’s only limited by the imagination of its creators? From Gaudi’s art nouveau La...
Tom Van Avermaet
Jul 17, 2022
"Ascension" (2021) by Nate Talbot
Can digital art offer its creators a gateway to immortality? VR shaman Nate Talbot intriguingly explores the barriers between cyber and...
Tom Van Avermaet
Jul 10, 2022
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